This week I’m teaching at the Tennessee Young Writers Workshop at Austin Peay State University. TYWW is a program of Humanities Tennessee, the same organization that offers us the Southern Festival of Books in Nashville on the second weekend of October and Chapter 16–Tennessee’s excellent virtual center for the book. For more information on these programs, visit Humanities Tennessee’s website: www.humantiestennessee.org

This is a terrific workshop because all the young people who attend want to write. We don’t have the make them write. They are writing on their own volition, and not just in class. They write in the their free time. They write in groups with someone offering a prompt. They gather in clusters of like-mindedness and share their work for critique. They are thick-skinned (sometimes after a rite of passage for first-year participants) and they understand that their goal is to become a better writer every day, every time they pick up the pen, and that becoming a better write may require them to lower their standards and write badly before the good stuff can come. These young writers understand what it means to write toward their stories, to feel around in the dark for the things they need, the objects and gestures and lines of dialogue and the surprises their characters give them. The elements they find in the dark illuminate the story they are searching for or illuminate how a story they already know can be best told.

What struck me early this week is that these young writers wrestle with the same issues all writers wrestle with. Growing up or growing older doesn’t cure you of insecurity, a vocabulary curve, an unhealthy obsession with adverbs. Writing well is always work on some level, and it is work writers should embrace will all the enthusiasm of this crowd of young writers. They can learn a lot from writers who have achieved some success. But we can also learn a lot from them.

Go be enthusiastic about writing. Don’t fall victim to that stereotype of the tortured writer. Accept the joy of your obsession and go take joy in it, even if it sometimes brings you to tears.

One of my favorite exercises is to ask students to list as many one syllable words beginning with a particular letter of the alphabet as they can. Each of us has an active vocabulary (words that come easily to us in speech and in writing) and a passive vocabulary (words we know the meaning of but don’t use readily). As a writer you need as many words at your disposal as you can muster. This exercise helps remind the writer of words he or she knows but might not think of when writing a first draft. And many one-syllable words are good solid specific nouns and verbs. They work like bricks to build a strong image or sentence.

The next part of the exercise is to write a story with only one syllable words. Only proper nouns can be multi-syllabic. Try it. You’ll be surprised at what you can accomplish with only one-syllable words.

This week’s Scene Storm Word List comes from the letter C and all are one-syllable words:

course

coast

carve

cool

crease

core

crisp

cord

cone

curl

I don’t know how to make a small pot of soup; my husband doesn’t know how to plant a small garden. While three 400-foot rows of beans means a lot of picking, and people are starting to run from us when they see us coming with sacks of yellow crooked-neck squash, all those beautiful vegetables will make for some good soup this winter.

What excess do you see in your life? What excesses do your characters have, either self-imposed or thrust upon them?

Assignment: Write a scene where a character’s excess comes into play.

Assignment: Write a poem about your excesses or the excess of someone you know.

Scene Storm Word List: Here are 10 verbs associated with gardening. Use the in a scene or poem that has absolutely nothing to do with gardening.

rake

dig

cut

pick

plow

weed

hoe

dust

shell

seed

I’m delighted to send the Scene Storm Word List to you from Lincoln Memorial University in Harrogate, TN.  While I don’t officially become Writer-In-Residence until July 1, I’m here at the festival teaching a fiction workshop and pitching in any way I can, learning the ropes from the co-director side of the fence.  I’ve seen how smoothly things go from the attendee/faculty side of things, now I know about all that work the staff does to make that smooth ride for the rest of us!  Somehow I suspected as much. Continue Reading »

Big news!  I am honored and delighted to inform you that, as of July 1, I will be the Writer-In-Residence at Lincoln Memorial University in Harrogate, TN. LMU is located an hour north of Knoxville, Tennessee and five minutes from Cumberland Gap, where Tennessee, Kentucky, and my home-state of Virginia come together. William and I are thrilled at the prospect of living in those beautiful mountains.

Lincoln Memorial University has a long and rich literary heritage, including graduates such as writers Jesse Stuart, James Still, Don West, and others. Other writers-in-residence have included Emma Bell Miles and, most recently, Silas House.

While at LMU, Silas House, along with co-director Denton Loving, founded the Mountain Heritage Literary Festival, now in its sixth year. The festival will be held this year on June 11, 12, and 13, and boasts an impressive list of staff and guests: Gurney Norman, Caroline Herring, Ann Pancake, Anne Shelby, Ron Houchin, Sue Massek, Kate Larken, Amy Greene, Bev May, Linda Parsons Marion, Jeff Daniel Marion, Judy DiGregorio, Maurice Manning, Silas House, and Denton Loving, with help from Sylvia Lynch and me, Darnell Arnoult. Additional expected literary sightings include the likes of novelist Pamela Duncan. For more information about the Mountain Heritage Literary Festival, visit: www.lmunet.edu/mhlf/

Silas leaves big shoes to fill. Fortunately he’s not really leaving; he’s just moving up the road to Berea College, where he will hold the National Endowment for the Humanities Chair in Appalachian Studies beginning August of 2010. Silas will be stirring up some more literary magic across the line in Kentucky. We at LMU, however, will keep hold of his wrist or ankle or pinkie finger. House has agreed to remain a co-director of the festival, and he and I hope to find additional ways to foster collaboration between LMU and Berea creative writing programs.

Silas recently co-founded, with Jason Howard and Marianne Worthington, the online literary journal Still: The Journal, based in Berea and named in part for LMU graduate and well-loved author of the novel River of Earth, James Still. The current issue of this fine journal may be found at http://www.stilljournal.net/.

Here is a photograph of the writer’s house at LMU, where I’ll be staying until William and I can find a new home for his forge and welding studio and we can get ourselves and our dogs relocated—I hope on a nice piece of property large enough for a couple of good horses. William is pleased we won’t be any farther from The Big South Fork, and he’s already heard rumors there’s good riding in the Chuck Swan Wildlife Management Area on the peninsula surrounded by the waters of Norris Lake.

I’m already making short-term and long-range plans to get more folks invovled in creative writing at LMU. Keep checking Dancing with the Gorilla for more about the LMU Writer’s House and what’s on the calendar and on deck for creative writing at LMU!

For more information about Lincoln Memorial University and the Abraham Lincoln Library and Museum, visit www.lmunet.edu.

Today’s Scene Storm Word List comes from Mountain Heritage Literary Festival guest fiction writer Ann Pancake’s novel Strange As This Weather Has Been:

Lincoln Logs

root

rags

drapes

ashamed

sprint

tears

monkey

gap

mine

Change is always a shock at first. But change almost always brings opportunity. When we recognize that sizzle and spark of new energy, amazing things can happen.

Some of you know I’ve been on the Duke Writers Workshop faculty since the early 90s. I loved that workshop, it’s spirit, and the gifted teachers, students, and staff with whom I’ve had the good fortune to work. This year Duke University Contintuing Studies Program has decided to focus on professional certificate programs and cut it’s creative writing program. So there will not be a Duke Writers Workshop this fall.  BUT NEVER FEAR! Our leader, long-time director Georgann Eubanks, has rallied and we are reinventing this workshop as TABLE ROCK WRITERS WORKSHOP, named for the striking geographical feature visible from Wildacres, the workshop’s retreat center home perched at the top of a mountain in the North Carolina highlands near Little Switzerland.

We’ll have the same great leadership, the same dynamic faculty, and lots of new energy sizzling around our new name and our rededication to making this workshop an outstanding week-long event that includes both nurture and challange for its participants. For more on this workshop, please read Georgann’s blog post at: http://tablerockwriters.wordpress.com/

That’s just one product of this new energy. We now have a blog!

Assignment: Look around for learning opportunities in the area of creative writing. Every writer needs to invest in his or her craft. Workshops are a great way for unpublished and published writers alike to push themselves to new levels of work. Do your reseaerch and come up with three writers workshops, festivals, or writing events that you’d like to participate in over the next two years. Then, make it happen.

I’m busy at work today cleaning and sorting and trying not to lose any ground with my anti-clutter campaign, which I began at the first of the year.  I’ve just gone through the house dusting and tossing and putting things in their proper place. I’m referring here to areas I’ve already purged several times. I still have not cleaned off the top of the refrigerator or the upright freezer. I’m short. The tops of those appliances don’t bother me–if I don’t think about them or don’t need something that’s artfully stacked on top of them.  After writing this post I’ll enter into the Twilght Zone, a.k.a my office, and see what’s hiding in there.

Sorting and purging can uncover things you love that you’ve forgotten about—out of sight, out of mind. The act of sorting and purging can also inspire. Ideas may begin to germinate as you find notes and articles you’ve forgotten about, books covered with dust. Maybe you made notes on a good idea and they are buried in the hurry and rush of everyday living and stacking, or maybe notes were tucked into the pages of a book you were reading at the time. Sometimes our best future emerges out of our rediscovered past. Continue Reading »

How easily one week turns into three. I took one week off to spend with my granddaughters, Ella – 5, Vivian – 3, and Emerson – 1 going on two. What a joy it was to be with the girls full time for five days. Then I needed a week to recover. When you are chubby and out of shape, you feel it after a week with three little girls 5-1 years old! Then some important business came up and I had to be out of town and concentrating on some things other than blog posts. So, here we are, three weeks since the last posting of Dancing with the Gorilla.

Isn’t that how writing is? We take a day off and it may turn into two, and then three, and then seven, and then a month, and then a few months. How easy it is to plant that seed of “putting off” and then let it grow. Continue Reading »

As an award-winning poet, I never feel I know enough about poetry. I’m always trying to learn more, get a better purchase, push myself to new territory, try forms I’ve never tried before, or return to poetic forms to try again when success in that form has eluded me. I turn to other poets for their insights on poetry as well as the excellent modeling in their poems. Here are just three poets (in alphabetical order) whose commentary on poetry has directed my learning, spurred my deeper engagement with this genre, and urged me to consider poetry’s place in my work and in contemporary culture. Continue Reading »

Some readers and writers are intimidated by poetry or think they don’t like poetry because of the poems they were made to read in school. Metrical poetry can also be intimidating because of the time we spent in high school English class scanning the poems in our literature text books. While I love to read Shelley and Yeats and Blake and Dickenson and TS Elliot, I would hate to think my impression of poetry was limited to that experience.

My collection of poems, for instance, is in some ways a collection of teeny tiny stories. Yet many of those poems have a formal structure: sestina, pantoum, cinquain, tanka-senru-haiku combinations, and so on. I wanted to portray spoken language of a place and still use form. For me, in that book, if my form shows in the reading of a poem, it is like my slip is showing. Continue Reading »

For several days I have been listening to and singing theKyrieas performed by Les Troubadours du Roi Baudouin, arranged by Father Guido Haazen. You may remember it from the end of the movie The Singing Nunstaring Sally Field. I’ve posted it on Facebook and Twitter. Kyrie eleison, a pre-Christian plea, is part of the Catholic Mass. Continue Reading »